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- <text id=93TT2521>
- <title>
- Feb. 15, 1993: View From A Cab
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Feb. 15, 1993 The Chemistry of Love
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- RUSSIA, Page 40
- View From A Cab
- </hdr>
- <body>
- <p>Moscow days and nights: street chronicles from a fracturing
- society where everyone sells and everyone is for sale
- </p>
- <p>By JAMES CARNEY/MOSCOW
- </p>
- <p> A standard Moscow taxicab sifts through traffic along the
- city's Boulevard Ring road on a mild, hazy winter's afternoon.
- The windows are coated with a viscous film of mud and grit,
- residue of city snow turned to slush. Wipers, old and misshapen,
- scrape slowly across the windshield, clearing just enough space
- for the driver to spot a stout old man waving his hand from the
- curb. He pulls over. A few words are spoken, an agreement
- reached. The man and his wife, both wearing dingy overcoats, fur
- hats and rubber boots, clamber in.
- </p>
- <p> "We buried my sister today," the old man sighs from the
- backseat. "She was a veteran of the war." The driver, Artyom
- Dobrovolsky, glances at the rearview mirror and nods. He has a
- talker. As he dodges the ubiquitous potholes and noses ahead of
- less intrepid drivers, Artyom settles into conversation. Like
- most Moscow taksisty, he doubles as paid listener and anonymous
- confessor. He is a collector of stories from passengers of all
- kinds, a street chronicler of life in a fractured society.
- </p>
- <p> "My sister's comrade, who lost an arm at the front, gave
- the eulogy," the man continues as Artyom starts up Prospekt
- Mira, a broad avenue leading away from downtown. "She reminisced
- about fighting to save the Soviet motherland. She sounded so
- old-fashioned; people stared at her like she was a dinosaur. But
- she couldn't help herself. She still believes."
- </p>
- <p> "What about you?" Artyom asks. "Do you still believe?" The
- man's laugh is short, like a hiccup, revealing two gold-capped
- teeth. "I don't know what to believe anymore. Sometimes I think
- I should grab all the money I have, buy a pistol and take it to
- the Kremlin."
- </p>
- <p> "Who would you shoot? Yeltsin?" Artyom probes. There is a
- pause, then another sigh. "I don't know. They're all guilty."
- </p>
- <p> For the ride, the old man pays 300 rubles, worth about 50
- cents at the latest exchange rate but a stiff 10% of the average
- pensioner's monthly income. Ordinarily, Artyom would have
- refused anything less than 600. "Sometimes I give them a break,"
- he concedes.
- </p>
- <p> For the past five years, Artyom, 29, has witnessed his
- country's whirlwind transformation from behind a steering wheel.
- He has watched younger clients supplant older ones, businessmen
- replace communists, big-time hoods succeed small-time hustlers.
- He has gone from working for the state to owning his own cab,
- a pioneer in privatization. He has seen his taxi meter rendered
- obsolete by the base law of supply and demand that allows
- drivers to name their price for every trip. Once fearful of
- foreigners, he has learned to seek them out, knowing, like all
- cabbies, that most foreigners will pay more. Through it all, he
- has listened. "Some talk about politics or the economic crisis,"
- Artyom says. "Others get intimate. Sometimes I get yelled at.
- And sometimes, more often now, passengers can be dangerous."
- </p>
- <p> Artyom points to the by-product of a negotiation gone bad,
- a gnarled red scar just above his left eye. Late one night last
- November, two young men flagged him down. They didn't like his
- asking price. After an exchange of insults, the three spilled
- out brawling onto the sidewalk. At 6 ft. 3 in. and 211 lbs.,
- Artyom wasn't worried. But he never saw the knife, never felt
- the blow and never realized he had been stabbed until the blood
- had flowed down his shirt sleeve.
- </p>
- <p> The assailants bolted, but not before slashing three of
- Artyom's tires, leaving him stranded at 2 in the morning. Six
- hours passed before he had the wound stitched up. "I had to fix
- the tires first," he explains. "I couldn't abandon my car. It's
- my livelihood."
- </p>
- <p> Looking for customers, Artyom cruises the city's main
- streets: past the hard-currency shops with their shiny Western
- signs; past the gargantuan figure of Lenin still looming above
- October Square; past the posh, newly renovated hotels, where
- single rooms start at $300 a night; past the countless sidewalk
- kiosks that peddle everything from cherry brandy to bikini
- underwear; past a heap of rubble and a ghost of a building,
- where glimpses of sky peek through the windows of a grand old
- facade; past Pushkin Square, where the poet's statue is dwarfed
- by a flashing neon Coca-Cola sign. He slows down to observe the
- trendy youths outside McDonald's. Brash teenagers shout, "Order!
- Order!" seeking commissions to stand in line for someone else,
- while beggars with tin cups, squatting on pieces of muddy
- cardboard, display swaddled infants and severed limbs.
- </p>
- <p> Old truths (egalitarianism, collectivism, the police
- state) collide with and give ground to new ones (inequality,
- individualism, relative lawlessness). The collisions reverberate
- in the psyche of a taxi driver. "This country reminds me of a
- huge market, where everyone sells and everyone is for sale,"
- Artyom says. "I understand the reforms are for the better, and
- I understand that everyone has a right to buy and sell. But the
- sight itself is repulsive. I see babushkis [old women] lined
- up on the street, peddling jars of mayonnaise, and I feel pity
- and anger and shame all at once."
- </p>
- <p> At the spot commemorating Russia's fight to save Moscow
- from Napoleon, a hand beckons. It belongs to a young woman,
- perhaps 22. She is going to the center, near Red Square. Artyom
- asks for 500 rubles; they settle quickly at 400. She sits
- quietly, her eyes wandering the street. But Artyom draws her in
- with a remark about inflation. As a topic of conversation,
- inflation, which hit 2,200% in 1992, is like the weather--except that prices change more often.
- </p>
- <p> Soon the young woman and Artyom are swapping memories
- about how life used to be in Moscow: how pedestrians would point
- at foreign cars like they were flying saucers; how a piece of
- chewing gum for a child was a treasure; and how, as she says,
- "if you weren't a Komsomolyets [a member of the communist youth
- organization], you weren't a person, you didn't exist."
- </p>
- <p> Despite everything, they both agree things are better now.
- "It's simple," she concludes. "If you're willing to work hard,
- you'll have money and you can buy what you want." A new Russian
- truth shared, passed along with 400 rubles from the backseat to
- the front.
- </p>
- <p> Other encounters come to mind. There was the lonely woman
- who took Artyom home and fed him soup in return for
- conversation. And the man from Kazakhstan, a former party
- functionary, who boasted about his new BMW and waved a thick
- stack of 5,000-ruble notes, as if to prove that this communist
- had a knack for capitalist enterprise. And there was the
- prostitute who offered to pay Artyom with her body. "I thought
- about it," he confesses.
- </p>
- <p> Artyom's hands are stained from time spent changing tires
- and tinkering with car engines. On some nights, at home in his
- two-room apartment, while his wife and young son sleep, he
- scrubs his hands clean, sits at the kitchen table and writes.
- He is a compulsive autodidact, a proletarian committed to
- becoming, as he puts it, a "man of culture." After high school,
- he studied in a few vocational institutes, then served two years
- in the army in then Soviet Turkmenistan. Occasionally he went
- on missions into Afghanistan to evacuate wounded. "The worst
- time of my life," he says.
- </p>
- <p> Artyom has just completed his first short novel, about a
- tormented young Russian obsessed with death and honor. He hopes
- to have it published. Over tea, his wife Katya says she hates
- it. "It's like a textbook for young fascists," she chides.
- Artyom raises his eyebrows in mock surprise, then laughs.
- </p>
- <p> It is inevitable that the young, the children of
- perestroika and Boris Yeltsin's revolution, will decide Russia's
- future. The notion reassures. But Russia's youth are also being
- shaped by the instability and sense of fear that grip a nation
- trying to shake off its past. At Lubyanka Square, in the shadow
- of the former KGB headquarters, Artyom picks up a young man
- dressed in loose, faded jeans and an American baseball jacket.
- He is Russian, a waiter in a Moscow hotel, and a talker.
- </p>
- <p> As Artyom adopts his passenger's obscenity-laden street
- jargon, the conversation develops into a diatribe against
- non-Russians who, the youth claims, degrade the city. Held out
- for special scorn are the dark-skinned races of the Caucasus
- region. "They're all criminals, mafiosi," comes the blithe
- assertion. Artyom nods. "They're not cultured."
- </p>
- <p> Westerners do not escape the young man's bitterness. They
- flaunt their wealth, he complains, and plunder the country. "For
- Westerners, coming to Russia is like going to the zoo to see how
- the animals live," Artyom says later. "They stare and laugh and
- shake their heads in disgust. Some Russians resent it."
- </p>
- <p> Three years ago, Artyom referred only half in jest to the
- Soviets lining up at the U.S. embassy for visas as "enemies of
- the people." Now the West lures him. He is working hard, driving
- long hours to save money for the trip. He wants to "test
- himself" for a few years abroad and then return home. "This
- country is dying," he says, "but it will come back to life. It
- has a future."
- </p>
- <p> Artyom is standing beside the taxi, smoking a cigarette.
- "I am Russian," he declares, swinging his arm out in an arc
- that encompasses Moscow. "This is what I know." Then he flicks
- his cigarette to the ground, folds himself into the driver's
- seat and heads off to find another passenger, and another
- conversation.
- </p>
-
- </body>
- </article>
- </text>
-
-